Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
Markuszewska, Aneta
Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
zur Nieden, Gesa
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
Strohm, Reinhard
‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy
Desler, Anne
Polski Rocznik Muzykologiczny
A New Home Leads to Compositional Evolution: Roman Palester’s Preludes for Piano (1954)
Parham, Blake
“Let Us Create a Modern Lithuania!” Confrontations of National Identity with Modernity in the Lithuanian Music Modernisation Discourse of the 1930s
Stanevičiūtė, Rūta
Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music
Procházková, Jarmila
National Icon and Cultural Ambassador: Zoltán Kodály in the Musical Life of State Socialist Hungary
Péteri, Lóránt
Karol Szymanowski’s Vision of New Polish Music
Kominek, Mieczysław
Polish National Publishing Initiatives after 1918
Sieradz, Małgorzata
Music in the Polish-Jewish Theatre in the First Decades of the 20th Century in the Light of Surviving Sources
Jaczyński, Michał