The Work Concept in Eighteenth-Century Italian Opera: Some Issues, Modest Proposals and Contributions
Polin, Giovanni
Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
Markuszewska, Aneta
Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
zur Nieden, Gesa
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
Strohm, Reinhard
Polski Rocznik Muzykologiczny
A New Home Leads to Compositional Evolution: Roman Palester’s Preludes for Piano (1954)
Parham, Blake
“Let Us Create a Modern Lithuania!” Confrontations of National Identity with Modernity in the Lithuanian Music Modernisation Discourse of the 1930s
Stanevičiūtė, Rūta
Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music
Procházková, Jarmila
National Icon and Cultural Ambassador: Zoltán Kodály in the Musical Life of State Socialist Hungary
Péteri, Lóránt
Karol Szymanowski’s Vision of New Polish Music
Kominek, Mieczysław
Volume 18 (2021): Issue 1 (December 2021)
Polish National Publishing Initiatives after 1918
Sieradz, Małgorzata