‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)*
Maione, Paologiovanni
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Ryszka-Komarnicka, Anna
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
Pelliccia, Emilia, Rzepka, Sonia
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Forment, Bruno
Polski Rocznik Muzykologiczny
Projects to Revive National Music in Warsaw in 1919–1926
Dziadek, Magdalena
Chopin, Polish National Culture and the Question of “Racial Purity”: Zofia Lissa’s Voice in the Debate over Racial Issues in the 1930s
Tuchowski, Andrzej
Editorial
Lindstedt, Iwona
Karol Szymanowski’s Vision of New Polish Music
Kominek, Mieczysław
The Ballets of Eugeniusz Morawski in the Context of the Search for Polish National Identity
Łapeta, Oskar
Polish National Publishing Initiatives after 1918
Sieradz, Małgorzata
National Icon and Cultural Ambassador: Zoltán Kodály in the Musical Life of State Socialist Hungary
Péteri, Lóránt