Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
Markuszewska, Aneta
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Spáčilová, Jana
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
Pelliccia, Emilia, Rzepka, Sonia
The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas
Over, Berthold
Polski Rocznik Muzykologiczny
Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music
Procházková, Jarmila
Karol Szymanowski’s Vision of New Polish Music
Kominek, Mieczysław
Polish National Publishing Initiatives after 1918
Sieradz, Małgorzata
Editorial
Lindstedt, Iwona
Chopin, Polish National Culture and the Question of “Racial Purity”: Zofia Lissa’s Voice in the Debate over Racial Issues in the 1930s
Tuchowski, Andrzej
“Let Us Create a Modern Lithuania!” Confrontations of National Identity with Modernity in the Lithuanian Music Modernisation Discourse of the 1930s
Stanevičiūtė, Rūta
The Ballets of Eugeniusz Morawski in the Context of the Search for Polish National Identity
Łapeta, Oskar