‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy
Desler, Anne
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Spáčilová, Jana
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)*
Maione, Paologiovanni
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Ryszka-Komarnicka, Anna
Polski Rocznik Muzykologiczny
“Let Us Create a Modern Lithuania!” Confrontations of National Identity with Modernity in the Lithuanian Music Modernisation Discourse of the 1930s
Stanevičiūtė, Rūta
Music in the Polish-Jewish Theatre in the First Decades of the 20th Century in the Light of Surviving Sources
Jaczyński, Michał
Polish National Publishing Initiatives after 1918
Sieradz, Małgorzata
A New Home Leads to Compositional Evolution: Roman Palester’s Preludes for Piano (1954)
Parham, Blake
Permanent Values and Variability in Janáček´s Opinions on National and Regional Identity in Relation to Music
Procházková, Jarmila
National Icon and Cultural Ambassador: Zoltán Kodály in the Musical Life of State Socialist Hungary
Péteri, Lóránt
Karol Szymanowski’s Vision of New Polish Music
Kominek, Mieczysław