In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Review: Symbiosis as a Key World Building Principle
Lykke, Nina
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Kovács, Ágnes Zsófia
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Reichmann, Angelika
Issue Editors’ Notes;Introduction to Hybridization and Generic Experiments in Crime Narratives
Zsámba, Renáta, Reichmann, Angelika, Győri, Zsolt
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Wartime Knitting in Agatha Christie’s N or M?
Zsámba, Renáta
Snakes on a Page: Re-reading Monstrosity and Vulnerability in Selected Contemporary Fiction
Murray, Jessica
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor