Kwartety smyczkowe Hanny Kulenty. Pamięć gatunku a współczesne środki ekspresji
Nowak, Anna
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
Pelliccia, Emilia, Rzepka, Sonia
The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas
Over, Berthold
Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720
Knoth, Ina
Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
zur Nieden, Gesa
‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy
Desler, Anne
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Spáčilová, Jana
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)*
Maione, Paologiovanni
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Forment, Bruno
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Ryszka-Komarnicka, Anna
The Work Concept in Eighteenth-Century Italian Opera: Some Issues, Modest Proposals and Contributions
Polin, Giovanni
Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
Markuszewska, Aneta