Sara Levy i jej muzyczna kolekcja. Koncerty klawiszowe Carla Philippa Emanuela Bacha z Biblioteki Narodowej 1
Görny, Tomasz
Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720
Knoth, Ina
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
Birnbaum, Clemens
Introduction*
Markuszewska, Aneta
Hasse's Siroe, Thirty Years Later: A Veritable Work in Progress
Mellace, Raffaele
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Ryszka-Komarnicka, Anna
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
Pelliccia, Emilia, Rzepka, Sonia
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)*
Maione, Paologiovanni
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Forment, Bruno
The Work Concept in Eighteenth-Century Italian Opera: Some Issues, Modest Proposals and Contributions
Polin, Giovanni
Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
Markuszewska, Aneta
Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
zur Nieden, Gesa