Volume 19 (2022): Issue 1 (December 2022)
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
Strohm, Reinhard
The Work Concept in Eighteenth-Century Italian Opera: Some Issues, Modest Proposals and Contributions
Polin, Giovanni
Hasse's Siroe, Thirty Years Later: A Veritable Work in Progress
Mellace, Raffaele
Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720
Knoth, Ina
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
Birnbaum, Clemens
The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas
Over, Berthold
Introduction*
Markuszewska, Aneta
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Spáčilová, Jana
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Ryszka-Komarnicka, Anna
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
Pelliccia, Emilia, Rzepka, Sonia
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Forment, Bruno