Polskie kompozytorki baletów. Rekonesans
Drajewski, Stefan
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
Birnbaum, Clemens
Introduction*
Markuszewska, Aneta
‘Per desiderio di farsi onore’: Singers and the Adaptation of Arias in Italian drammi per musica of the Early Eighteenth-Century Italy
Desler, Anne
Between Opera and Oratorio. The Pasticcio Oratorios in Prague and Brno ca 1720–1760
Spáčilová, Jana
Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
zur Nieden, Gesa
Pasticcio and Pleasure. L’abbandono di Armida (Venice 1729)
Markuszewska, Aneta
The Work Concept in Eighteenth-Century Italian Opera: Some Issues, Modest Proposals and Contributions
Polin, Giovanni
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Forment, Bruno
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)*
Maione, Paologiovanni
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
Pelliccia, Emilia, Rzepka, Sonia
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Ryszka-Komarnicka, Anna