Inklinacje, refleksje, niedopowiedzenia w muzyce Katarzyny Kwiecień-Długosz. Szkic o kompozytorce z Zielonej Góry
Literska, Barbara
The Art of ‘Cooking’ a Pasticcio: Musical Recipes and Ingredients for Pasticcio Operas
Over, Berthold
Hasse's Siroe, Thirty Years Later: A Veritable Work in Progress
Mellace, Raffaele
Just for the Ladies? Compilation, Knowledge Practice and Pasticcio in England around 1720
Knoth, Ina
Handel’s Pasticci between Music History and Current Music Practice at the Handel Festival in Halle
Birnbaum, Clemens
Introduction*
Markuszewska, Aneta
Tortuous Roads. Tracing Back the Reception Paths of Apostolo Zeno’s Libretto Venceslao (1703–1754)*
Ryszka-Komarnicka, Anna
From ‘insignificant’ bars to significant social relations: Elisabeth Teyber and Laodice's accompagnato in Siroe (1763)
Pelliccia, Emilia, Rzepka, Sonia
‘Collected’ Pages for the Issipile (Teatro San Carlo, 1763)*
Maione, Paologiovanni
Pastiching as Artistic Research: Ifigenia / Ipermestra (Brussels, 2006)*
Forment, Bruno
Pasticcio, Arrangement, or Adaptation? Georg Philipp Telemann's Pasticcio Judith Based on Fortunato Chelleri's dramma per musica Innocenza difesa
zur Nieden, Gesa
Scipione impasticciato: Performing, Researching and Reviving London operas from 1730–1731
Strohm, Reinhard