Editorial
Tschmuck, Peter
Reframing the Economic Rationale of Music Publishers’ Relationships with Rights Management Entities – Shifting to a Systematic Approach
Miller, Mihail, Klingner, Stephan
Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries
Thorkildsen, Kjersti Livesdottir, Rykkja, Anders
Guy Morrow (2020): Designing the Music Business: Design Culture, Music Video and Virtual Reality, Springer Music Business Research book series
Winter, Carsten
Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly
An, Boyang
Stream of Conscience? Live Music Streaming: Utility, Capital and Control
Ehlinger, Arthur, Markey, John
Covid-19 Pandemic Coping Strategies in a Complex Landscape of Crisis Communication: A Participatory Study with Disability Organisations in Sweden
Lundälv, Jörgen, Nilsson, Elisabet M., Eriksson, Magnus
The Mortgaged Miracle Social Stratification in Contemporary Estonian Cinema
Hoyer, Dirk
Witnessing in Participatory Journalism: Siege of Aleppo and Narratives of Authenticity
Davidjants, Jaana
A Medium Is Born: Participatory Media and the Rise of Clubhouse in Russia and Ukraine During the Covid-19 Pandemic
Boyko, Kateryna, Horbyk, Roman
Letter from Ukraine
Horbyk, Roman, Boyko, Kateryna
Book Review: Hagi Šein, Digiajastu teleraamat: Digiajastu televisioon Eestis 2000–2020 [Television book of the digital era: Television of digital era in Estonia in 2000–2020], Tallinn: 2021, ISBN 978-9916-4-0728-8, 688 pp.
Kõuts-Klemm, Ragne