Editorial
Tschmuck, Peter
Reframing the Economic Rationale of Music Publishers’ Relationships with Rights Management Entities – Shifting to a Systematic Approach
Miller, Mihail, Klingner, Stephan
Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries
Thorkildsen, Kjersti Livesdottir, Rykkja, Anders
Guy Morrow (2020): Designing the Music Business: Design Culture, Music Video and Virtual Reality, Springer Music Business Research book series
Winter, Carsten
Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly
An, Boyang
Stream of Conscience? Live Music Streaming: Utility, Capital and Control
Ehlinger, Arthur, Markey, John
Letter from Ukraine
Horbyk, Roman, Boyko, Kateryna
Reuse and Appropriation: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition
Taher, Hassan, Addo, Giuseppina, Vengerfeldt, Pille Pruulmann, Engberg, Maria, Maare, Åsa Harvard
Participatory Cultures of Digital Games: The Double-Edged Sword of Being a Reddit Community Moderator
Nielsen, Daniel
A Medium Is Born: Participatory Media and the Rise of Clubhouse in Russia and Ukraine During the Covid-19 Pandemic
Boyko, Kateryna, Horbyk, Roman
Volume 10 (2022): Issue 1 (April 2022)
Where We Go One, We Go All: QAnon, Networked Individualism, and the Dark Side of Participatory (Fan) Culture
Hodson, Jaigris, Gosse, Chandell