Editorial
Tschmuck, Peter
Reframing the Economic Rationale of Music Publishers’ Relationships with Rights Management Entities – Shifting to a Systematic Approach
Miller, Mihail, Klingner, Stephan
Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries
Thorkildsen, Kjersti Livesdottir, Rykkja, Anders
Guy Morrow (2020): Designing the Music Business: Design Culture, Music Video and Virtual Reality, Springer Music Business Research book series
Winter, Carsten
Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly
An, Boyang
Stream of Conscience? Live Music Streaming: Utility, Capital and Control
Ehlinger, Arthur, Markey, John
Witnessing in Participatory Journalism: Siege of Aleppo and Narratives of Authenticity
Davidjants, Jaana
Imparting Knowledge via Entertaining YouTube Formats. An Explorative Study of Young Media Users in Germany
Rihl, Alexander, Wegener, Claudia
Letter from Ukraine
Horbyk, Roman, Boyko, Kateryna
Reuse and Appropriation: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition
Taher, Hassan, Addo, Giuseppina, Vengerfeldt, Pille Pruulmann, Engberg, Maria, Maare, Åsa Harvard
Laugh in Case of Emergency: Framing the Pandemic Through Memes in Italy and Russia
Marsili, Andrea, Shchetvina, Anya
The Mortgaged Miracle Social Stratification in Contemporary Estonian Cinema
Hoyer, Dirk