Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor
Wartime Knitting in Agatha Christie’s N or M?
Zsámba, Renáta
Culture at Work: What Drives Employee Performance in Romanian Multinationals?
Stratone, Mădălina-Elena, Scoarţă, Corina
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Kovács, Ágnes Zsófia
The Participation Paradox: Immigrants’ Civic and Political Engagement and Majority Attitudes in Slovenia
Medvešek, Mojca, Bešter, Romana, Pirc, Janez
The Convergence of Animation and Heritage Communication: A Digital Practice Based on Leonardo da Vinci’s Botanical Manuscripts
Zhang, Yun
Emerging Practices in LLM-integrated Game Writing
Sezen, Digdem, Sezen, Tonguc
Guardians of Grammar, Gatekeepers of Gender: A Critical Discourse Analysis of the Académie Française’s Report on the Feminization of Professional Titles
Intamart, Kantapon
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael