“But What are You, Mama?”: Gendered Migration, Epistemic Injustice, and Feminist Resistance in Domnica Rădulescu’s Dream in a Suitcase (2022)
Dwitiya Sarkar, Dhiman Roy
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Mária Kurdi
Review: Salman Rushdie’s Cacophonous Creativity
John McLeod
Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Angelika Reichmann
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Ruth Heholt
The Ranunculus auricomus L. complex (Ranunculaceae) in Croatia – validation of Ranunculus velebiticola
F. G. Dunkel
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Šárka Dvořáková
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jiří Jelínek, Jana Jelínková
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Felicitas Mayer
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Emily Alice Farmer
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Michael Pronko
Women’s artistic gymnastics at the Paris 2024 Olympic Games – between prediction and reality (apparatus finals)
Ionuț Corlaci, Ana Maria Gavojdea, Simona Amânar-Tabără