Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly
An, Boyang
Stream of Conscience? Live Music Streaming: Utility, Capital and Control
Ehlinger, Arthur, Markey, John
Laugh in Case of Emergency: Framing the Pandemic Through Memes in Italy and Russia
Marsili, Andrea, Shchetvina, Anya
The Mortgaged Miracle Social Stratification in Contemporary Estonian Cinema
Hoyer, Dirk
Witnessing in Participatory Journalism: Siege of Aleppo and Narratives of Authenticity
Davidjants, Jaana
Imparting Knowledge via Entertaining YouTube Formats. An Explorative Study of Young Media Users in Germany
Rihl, Alexander, Wegener, Claudia
Letter from Ukraine
Horbyk, Roman, Boyko, Kateryna
Reuse and Appropriation: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition
Taher, Hassan, Addo, Giuseppina, Vengerfeldt, Pille Pruulmann, Engberg, Maria, Maare, Åsa Harvard
Participatory Cultures of Digital Games: The Double-Edged Sword of Being a Reddit Community Moderator
Nielsen, Daniel
Book Review: Hagi Šein, Digiajastu teleraamat: Digiajastu televisioon Eestis 2000–2020 [Television book of the digital era: Television of digital era in Estonia in 2000–2020], Tallinn: 2021, ISBN 978-9916-4-0728-8, 688 pp.
Kõuts-Klemm, Ragne
Covid-19 Pandemic Coping Strategies in a Complex Landscape of Crisis Communication: A Participatory Study with Disability Organisations in Sweden
Lundälv, Jörgen, Nilsson, Elisabet M., Eriksson, Magnus