Challenge in China's Digital Music Industry: How the Protection of Music Copyright Causes Oligopoly
An, Boyang
Stream of Conscience? Live Music Streaming: Utility, Capital and Control
Ehlinger, Arthur, Markey, John
When is a Poet an Instapoet?
Soelseth, Camilla Holm
Laugh in Case of Emergency: Framing the Pandemic Through Memes in Italy and Russia
Marsili, Andrea, Shchetvina, Anya
Where We Go One, We Go All: QAnon, Networked Individualism, and the Dark Side of Participatory (Fan) Culture
Hodson, Jaigris, Gosse, Chandell
Covid-19 Pandemic Coping Strategies in a Complex Landscape of Crisis Communication: A Participatory Study with Disability Organisations in Sweden
Lundälv, Jörgen, Nilsson, Elisabet M., Eriksson, Magnus
A Medium Is Born: Participatory Media and the Rise of Clubhouse in Russia and Ukraine During the Covid-19 Pandemic
Boyko, Kateryna, Horbyk, Roman
Reuse and Appropriation: Remediating Digital Museum Collections and Digital Tools for a Participatory Culture in Transition
Taher, Hassan, Addo, Giuseppina, Vengerfeldt, Pille Pruulmann, Engberg, Maria, Maare, Åsa Harvard
Letter from Ukraine
Horbyk, Roman, Boyko, Kateryna
Rethinking Participatory Culture: Introduction
Nanì, Alessandro, Tiidenberg, Katrin
The Mortgaged Miracle Social Stratification in Contemporary Estonian Cinema
Hoyer, Dirk
Book Review: Hagi Šein, Digiajastu teleraamat: Digiajastu televisioon Eestis 2000–2020 [Television book of the digital era: Television of digital era in Estonia in 2000–2020], Tallinn: 2021, ISBN 978-9916-4-0728-8, 688 pp.
Kõuts-Klemm, Ragne