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Volume 26 (2025): Issue 4 (December 2025)
Issue

Volume 26 (2025): Issue 4 (December 2025)

Sustainable Pathways for Cultural and Creative Industries: A Comprehensive Literature Review
Article

Sustainable Pathways for Cultural and Creative Industries: A Comprehensive Literature Review

Ana-Maria Osadci-Baciu, Alexandra Zbuchea
Volume 5 (2025): Issue 2 (December 2025)
Issue

Volume 5 (2025): Issue 2 (December 2025)

Review of sentiment analysis in new product development: text, audio, visual, and multimodal data
Article

Review of sentiment analysis in new product development: text, audio, visual, and multimodal data

Randi Eka Sanjaya, Ririn Diar Astanti, The Jin Ai
Volume 17 (2025): Issue 4 (December 2025)
Issue

Volume 17 (2025): Issue 4 (December 2025)

Money and Wealth in Qing Texts on Fox Spirits
Article

Money and Wealth in Qing Texts on Fox Spirits

Konstantin Tertitski
Volume 19 (2025): Issue 2 (December 2025)
Issue

Volume 19 (2025): Issue 2 (December 2025)

In search of factors reinforcing the relationship between organisational resilience and organisational performance: a conceptual framework and research results
Article

In search of factors reinforcing the relationship between organisational resilience and organisational performance: a conceptual framework and research results

Anna Zabłocka-Kluczka
Volume 47 (2025): Issue 4 (December 2025)
Issue

Volume 47 (2025): Issue 4 (December 2025)

Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Article

Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction

Šárka Dvořáková
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Article

Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd

Felicitas Mayer
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Article

In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)

Emily Alice Farmer