Cinematographers’ Perceptual Professionalization from Novices to Experts: Observations from an Eye-tracking Case Study
Lotman, Elen, Mõttus, Mati, Tikka, Pia
Point-of-view Shots in Light of Cognitive Grammar
Deaca, Mircea Valeriu
Volume 11 (2023): Issue 1 (December 2023)
Affected Stories, Sensed Memories, and Documented Voids
López, Carlos Eduardo Lesmes
Editorial
Tschmuck, Peter
Computing Taste: Algorithms and the Makers of Music Recommendation
Morgan, Benjamin A
Volume 12 (2023): Issue 2 (October 2023)
A Perspective on NFTs in the Arts-and-Music Industry*
Peters, Zarja, Cartwright, Phillip
Nashville: The Creative Business Cluster and its Life Cycle
Hodges, Dan G.
Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19. Edited by Guy Morrow, Daniel Nordgård and Peter Tschmuck
Strong, Catherine
Split Sheets in Ghanaian Recording Studios
Arhin, Benjamin Oduro, Coffie, Mark Millas, Konu, Hope Senalor, Annan Ferguson, Edwin Ekow
The Work of Reproduction in the Age of Digital Art: The Role of ‘Aura’ in the Revitalisation of Vinyl Records and Cassettes
Tsitsos, William E., Saylor Breckenridge, R.