Emotional Transportation and Identification in Screenwriting: A Pilot Study
Reinola, Kirsi
Lived Experience in the “Naturalistic” Paradigm: Implementing Empirical Phenomenology with Expert Participants for Neurocinematics
Rosic, Jelena
Affected Stories, Sensed Memories, and Documented Voids
López, Carlos Eduardo Lesmes
Point-of-view Shots in Light of Cognitive Grammar
Deaca, Mircea Valeriu
Editorial
Tschmuck, Peter
Computing Taste: Algorithms and the Makers of Music Recommendation
Morgan, Benjamin A
Volume 12 (2023): Issue 2 (October 2023)
A Perspective on NFTs in the Arts-and-Music Industry*
Peters, Zarja, Cartwright, Phillip
Nashville: The Creative Business Cluster and its Life Cycle
Hodges, Dan G.
Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19. Edited by Guy Morrow, Daniel Nordgård and Peter Tschmuck
Strong, Catherine
Sustaining Innovation: Digital Live Music Models in a Post-COVID-19 Trinidad and Tobago
Joseph, Farley Joel
Split Sheets in Ghanaian Recording Studios
Arhin, Benjamin Oduro, Coffie, Mark Millas, Konu, Hope Senalor, Annan Ferguson, Edwin Ekow