A Perspective on NFTs in the Arts-and-Music Industry*
Peters, Zarja, Cartwright, Phillip
Nashville: The Creative Business Cluster and its Life Cycle
Hodges, Dan G.
Sustaining Innovation: Digital Live Music Models in a Post-COVID-19 Trinidad and Tobago
Joseph, Farley Joel
Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19. Edited by Guy Morrow, Daniel Nordgård and Peter Tschmuck
Strong, Catherine
The Work of Reproduction in the Age of Digital Art: The Role of ‘Aura’ in the Revitalisation of Vinyl Records and Cassettes
Tsitsos, William E., Saylor Breckenridge, R.
Split Sheets in Ghanaian Recording Studios
Arhin, Benjamin Oduro, Coffie, Mark Millas, Konu, Hope Senalor, Annan Ferguson, Edwin Ekow
Editorial
Tschmuck, Peter
Volume 12 (2023): Issue 1 (April 2023)
International Broadcasting and Its Contested Role in Australian Statecraft
Heriot, Geoff
Gaming the System: Playbour, Production, Promotion, and the Metaverse
Foxman, Maxwell
Ecological Approach to Cinematographic Lighting of the Human Face – A Pilot Study
Huttunen, Sampsa
Flexibility, Flâneurie, and Affinity in the Metaverse
Chuk, Natasha