A Perspective on NFTs in the Arts-and-Music Industry*
Peters, Zarja, Cartwright, Phillip
Nashville: The Creative Business Cluster and its Life Cycle
Hodges, Dan G.
Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19. Edited by Guy Morrow, Daniel Nordgård and Peter Tschmuck
Strong, Catherine
The Work of Reproduction in the Age of Digital Art: The Role of ‘Aura’ in the Revitalisation of Vinyl Records and Cassettes
Tsitsos, William E., Saylor Breckenridge, R.
Sustaining Innovation: Digital Live Music Models in a Post-COVID-19 Trinidad and Tobago
Joseph, Farley Joel
Split Sheets in Ghanaian Recording Studios
Arhin, Benjamin Oduro, Coffie, Mark Millas, Konu, Hope Senalor, Annan Ferguson, Edwin Ekow
Volume 12 (2023): Issue 1 (April 2023)
Editorial
Tschmuck, Peter
International Broadcasting and Its Contested Role in Australian Statecraft
Heriot, Geoff
Gaming the System: Playbour, Production, Promotion, and the Metaverse
Foxman, Maxwell
Introduction: Welcome to the Metaverse! (again?)
Ibrus, Indrek, Van Der Graaf, Shenja, Nieborg, David B.
Using Cinematic Virtual Reality to Get Acquainted with the Metaverse
Säks, Ermo