A Perspective on NFTs in the Arts-and-Music Industry*
Peters, Zarja, Cartwright, Phillip
Nashville: The Creative Business Cluster and its Life Cycle
Hodges, Dan G.
Editorial
Tschmuck, Peter
Split Sheets in Ghanaian Recording Studios
Arhin, Benjamin Oduro, Coffie, Mark Millas, Konu, Hope Senalor, Annan Ferguson, Edwin Ekow
Volume 12 (2023): Issue 1 (April 2023)
The Work of Reproduction in the Age of Digital Art: The Role of ‘Aura’ in the Revitalisation of Vinyl Records and Cassettes
Tsitsos, William E., Saylor Breckenridge, R.
Sustaining Innovation: Digital Live Music Models in a Post-COVID-19 Trinidad and Tobago
Joseph, Farley Joel
Rethinking the Music Business: Music Contexts, Rights, Data and COVID-19. Edited by Guy Morrow, Daniel Nordgård and Peter Tschmuck
Strong, Catherine
International Broadcasting and Its Contested Role in Australian Statecraft
Heriot, Geoff
Introduction: Welcome to the Metaverse! (again?)
Ibrus, Indrek, Van Der Graaf, Shenja, Nieborg, David B.
An Archeology of the Metaverse: Virtual Worlds and Optical Devices
Quintana, Àngel, Salvadó-Romero, Alan, Pérez-Pamies, Daniel
Using Cinematic Virtual Reality to Get Acquainted with the Metaverse
Säks, Ermo