In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Snakes on a Page: Re-reading Monstrosity and Vulnerability in Selected Contemporary Fiction
Murray, Jessica
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Kovács, Ágnes Zsófia
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor
The Relationship between Trade Openness, Foreign Direct Investment, Government Expenditure, and Economic Growth in ASEAN Countries
Nguyen, Anh Tru, Lee, Sang-Hyeon
Determinants of Foreign Direct Investment in Developing Economies: Comprehensive Analysis
Oliinyk, Andrii, Huliaieva, Liudmyla, Nosova, Euvgenia, Tkachenko, Ianina, Sierova, Liudmyla, Slokva, Maryna