Editors’ Notes and Introduction to Ecofictions: The Legitimacy of Hope: Chief Editor’s Note
Győri, Zsolt, Mozes, Dorottya, Federmayer, Eva, Morse, Donald
“Even the apocalypse isn’t the end”: Emotional Numbness and the Reconstruction of Interpersonal Bonding in Nana Kwame Adjei-Brenyah’s Friday Black
Villamarín-Freire, Sara
Going Viral: The Media Anthropology of the “Quarantine Subject” in the Context of Biopolitics and Psychopolitics
Nemes, Márió Z.
Dynamic Ways of Prospecting: Parts, Wholes, Experiential Futures, And Eating a Banana for the First Time
Cowart, Adam
What Scene, What’s Seen, What’s in A… Word: Thoughts in and on Artists’ Writings
Frelik, Edyta
Becoming-Mineral: Desert Timescapes and Post-Neoliberal Geontopower in Don DeLillo’s Point Omega
Karpouzou, Peggy
Film Genres after #MeToo: Promising Young Woman as a Rape-Revenge Film and a Rom-Com
Réti, Zsófia O.
A Frame to the Void: Some Remarks on the Staatstheater Augsburg Adaptation of Wittgenstein’s Mistress and a Conversation with Nicole Schneiderbauer
Majer, Krzysztof
Reviews: Achieving “Presence Within Absence” in Western Narrative Theory
Ayari, Hend
Cultural, Creative, and Religious Senior Travel: Evidence and Research on the City of Iași
Udrea, Robert-Mihai
Reviews: Arab Cinema Studies: A Revisit of the Past and Devaluation of the Present
El Aidi, Fatima
Hoping for Cyborgs: Cyborg Eco-Heroism, Odd Kinships, and Hopeful Heroics in Sherri L. Smith’s Orleans
Bickert, Lorena