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Music, general
Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
Article

Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)

Tukova, Iryna
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
Article

Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia

Ščepán, Michal
Volume 24 (2024): Issue 1 (December 2024)
Issue

Volume 24 (2024): Issue 1 (December 2024)

Expression in aphoristic form. György Kurtág’s ‘Kafka-Fragmente’ Op. 24
Article

Expression in aphoristic form. György Kurtág’s ‘Kafka-Fragmente’ Op. 24

Borys, Szymon
The “cry” of a nightingale. Expression, emotion, meaning
Article

The “cry” of a nightingale. Expression, emotion, meaning

Żerańska-Kominek, Sławomira
The Role of Beach Bars in Wrocław’s Local Music Scene
Article

The Role of Beach Bars in Wrocław’s Local Music Scene

Kopaniecki, Jakub
Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal
Article

Jewish Popular Music in Galicia: Karol Rathaus’ Recollections of Chune Wolfsthal

Guzy-Pasiak, Jolanta
Open-Air Music in Warsaw Between the World Wars
Article

Open-Air Music in Warsaw Between the World Wars

Dziadek, Magdalena
‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context*
Article

‘Besolte Instrumentisten der Königlichen Stadt Breslaw’: The Hess Brothers’ Anthology (1555) and Its European Context*

Wieczorek, Ryszard J.
Everyday Outdoor Music Life in Galician Cracow
Article

Everyday Outdoor Music Life in Galician Cracow

Woźna-Stankiewicz, Małgorzata
Expression in the music of Andrzej Krzanowski
Article

Expression in the music of Andrzej Krzanowski

Stochniol, Magdalena
Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division
Article

Zofia Lissa’s participation in attempts to define formalism and realism in music in the 1940s and 1950s. Using the category of musical expression to create patterns of division

Zymer, Izabela