The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa
Volume 24 (2024): Issue 1 (December 2024)
Volume 21 (2024): Issue 1 (December 2024)
How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
Chabashvili, Eka, Virsaladze, Maya Maka, Chokhonelidze, Alexander, Asitashvili, Joni
A question of a sense of humour? The bittersweet taste of Mieczysław Wajnberg’s Old Letters Op. 77
Nowok-Zych, Agnieszka
Expression in Josef Matthias Hauer’s piano music as exemplified by Klavierstücke mit Überschriften nach Worten von Friedrich Hölderlin Op. 25
Barwinek, Bartłomiej
The “cry” of a nightingale. Expression, emotion, meaning
Żerańska-Kominek, Sławomira
Expression in aphoristic form. György Kurtág’s ‘Kafka-Fragmente’ Op. 24
Borys, Szymon
Editorial
Four musical settings of the poem “In Danzig” by Joseph Eichendorff — music and the expression of the word
Schiller-Rydzewska, Joanna
Open-Air Music in Warsaw Between the World Wars
Dziadek, Magdalena
Żary – The City of Georg Philipp Telemann
Ciesielski, Rafał