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In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Article

In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)

Emily Alice Farmer
Volume 13 (2025): Issue 4 (December 2025)
Issue

Volume 13 (2025): Issue 4 (December 2025)

The World Falls Silent – A Practice-Based Performance on Ageism and its Effects on the Dancer
Article

The World Falls Silent – A Practice-Based Performance on Ageism and its Effects on the Dancer

Madeleine Karlsson
Volume 16 (2025): Issue 2 (December 2025)
Issue

Volume 16 (2025): Issue 2 (December 2025)

The Use of Nonbinary Language Strategies in Casual Ingroup Verbal Communication in the Czech LGBTQ+ Community
Article

The Use of Nonbinary Language Strategies in Casual Ingroup Verbal Communication in the Czech LGBTQ+ Community

Miriama Holická, Ivona Barešová
Durability of Mortar and Concrete with Composite Cements Containing Novel SCMs
Article

Durability of Mortar and Concrete with Composite Cements Containing Novel SCMs

Tobias Danner, Ola Skjølsvold, Harald Justnes, Klaartje De Weerdt, Petter Hemstad, Knut O. Kjellsen
Volume 73 (2025): Issue 2 (December 2025)
Issue

Volume 73 (2025): Issue 2 (December 2025)

Volume 63 (2025): Issue 4 (December 2025)
Issue

Volume 63 (2025): Issue 4 (December 2025)

Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Article

Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5

Angelika Reichmann
Review: Salman Rushdie’s Cacophonous Creativity
Article

Review: Salman Rushdie’s Cacophonous Creativity

John McLeod
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Article

The Folk Horror and Crime Fiction Hybrid in Heart of Darkness

Ruth Heholt
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Article

Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr

Mária Kurdi