The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
Surma, Joanna
Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
Tukova, Iryna
Volume 24 (2024): Issue 1 (December 2024)
The compositional output of Paweł Klecki, Jan Krenz and Stanisław Skrowaczewski in a historical perspective
Szoka, Marta
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
Volume 22 (2024): Issue 1 (December 2024)
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara