Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
Naliwajek, Katarzyna
Volume 24 (2024): Issue 1 (December 2024)
March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Music on the Periphery of Aesthetics
Makomaska, Sylwia
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Piekarski, Michał
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
Aluede, Charles Onomudo, Abdullahi, Agatha Ngozi
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa