Two Soviet Animated Films for Children with Music by Dmitri Shostakovich
Babulewicz, Katarzyna
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Piekarski, Michał
Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
Aluede, Charles Onomudo, Abdullahi, Agatha Ngozi
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Music on the Periphery of Aesthetics
Makomaska, Sylwia
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
Surma, Joanna