March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
Makomaska, Sylwia
Volume 21 (2024): Issue 1 (December 2024)
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
Surma, Joanna
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
Tukova, Iryna
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
Ščepán, Michal
The Georgian Opera from the 1920s to the 1950s: A ‘Mega Weapon’ for the Soviet Union’s Ideology
Ghvinjilia, Gvantsa
How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
Chabashvili, Eka, Virsaladze, Maya Maka, Chokhonelidze, Alexander, Asitashvili, Joni
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
Music on the Periphery of Aesthetics
Makomaska, Sylwia
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Piekarski, Michał