Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Ideas of the Musica Antiqua Europae Orientalis festivals and congresses as creative inspiration as exemplified by Romuald Twardowski’s works
Kłaput-Wiśniewska, Aleksandra
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
“Newcomers” and “natives”: composers in Polish Zielona Góra (1945–2023)
Literska, Barbara
The wartime experiences of Zygmunt Mycielski and the Polish post-war reality as illustrated by Mycielski’s letters to Nadia Boulanger (1939–1960): reading notes
Suchowiejko, Renata
The Actors’ Boycott During Polish Martial Law: A Case Study in the Politics of Listening as Collective Action
Bohlman, Andrea F.
Two Soviet Animated Films for Children with Music by Dmitri Shostakovich
Babulewicz, Katarzyna
Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
Makomaska, Sylwia
Volume 22 (2024): Issue 1 (December 2024)
How to Create an Ecocentric Environment: through Musical Art: From Theory to Practice
Chabashvili, Eka, Virsaladze, Maya Maka, Chokhonelidze, Alexander, Asitashvili, Joni
Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
Aluede, Charles Onomudo, Abdullahi, Agatha Ngozi
Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
Naliwajek, Katarzyna