Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Volume 24 (2024): Issue 1 (December 2024)
Volume 22 (2024): Issue 1 (December 2024)
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
Music on the Periphery of Aesthetics
Makomaska, Sylwia
Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
Naliwajek, Katarzyna
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Piekarski, Michał
Gendered Musicking Among: the Ebira People of Kogi State, Nigeria
Aluede, Charles Onomudo, Abdullahi, Agatha Ngozi
Two Soviet Animated Films for Children with Music by Dmitri Shostakovich
Babulewicz, Katarzyna
Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
Makomaska, Sylwia