Editorial; Contents
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Back from obscurity: Emil Łapczyński (1837–1863). Concert artist, composer, insurgent
Wilczek-Krupa, Maria
March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Music on the Periphery of Aesthetics
Makomaska, Sylwia
Weaponized Songs: Pro-Putin and Other Totalitarian Musical Propaganda
Naliwajek, Katarzyna
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
Volume 21 (2024): Issue 1 (December 2024)
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
Surma, Joanna
Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
Makomaska, Sylwia
Views of the Baltic German Press on the Traditions: of Other Nationalities in Riga’s Music Life in the 1870s–1880s: The Influence of the Political Context
Jaunslaviete, Baiba
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Piekarski, Michał