Editorial; Contents
Is notational “fingerprint” still possible? A few comments on the idiomaticity of the 20th-century notation
Kowalska-Zając, Ewa
Volume 22 (2024): Issue 1 (December 2024)
The role of Polish musicians in shaping the Ukrainian school of composition in the 19th and early 20th centuries
Kijanowska-Kamińska, Luba
Vox Humana of War: Ukrainian Art Music as a Mode of Resistance (2022–24)
Tukova, Iryna
Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia
Ščepán, Michal
March ‘68 and Its Aftermath: in Polish Popular Music
Gradowski, Mariusz
Chopin’s Music in the ‘Brand Theatre’: From Directed Stimulation to Shared Meaning
Makomaska, Sylwia
Volume 21 (2024): Issue 1 (December 2024)
Music Therapy in the Treatment: of People with Hearing Deficits: A Review of Selected Strategies
Surma, Joanna
A Polish Composer of Jewish Descent: in Interwar Lwów. Reflections on the National and Religious Identity of Józef Koffler
Piekarski, Michał
Music on the Periphery of Aesthetics
Makomaska, Sylwia