Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Reichmann, Angelika
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
Review: Salman Rushdie’s Cacophonous Creativity
McLeod, John
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor
Wartime Knitting in Agatha Christie’s N or M?
Zsámba, Renáta
Culture at Work: What Drives Employee Performance in Romanian Multinationals?
Stratone, Mădălina-Elena, Scoarţă, Corina
Hard-Boiled Reinvestigations of African American History in Barbara Neely’s Blanche on the Lam (1992) and Blanche Among the Talented Tenth (1994)
Kovács, Ágnes Zsófia
Guardians of Grammar, Gatekeepers of Gender: A Critical Discourse Analysis of the Académie Française’s Report on the Feminization of Professional Titles
Intamart, Kantapon
In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas