In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Emerging Technologies in Sustainable Finance: AI and DLT as Enablers of the Green Economy
Sultana, Afroza, Barua, Monisha
The Folk Horror and Crime Fiction Hybrid in Heart of Darkness
Heholt, Ruth
Review: Feminist Versions of Greek Tragedy in the Theater of Marina Carr
Kurdi, Mária
Cultivar and rootstock effect on sweet cherry fruit density and fruit drop
Feldmane, Daina, Sebre, Gundega, Rubauskis, Edgars
The actualities of apple breeding in Latvia
Ikase, Laila
Blackcurrant Genetic Resources for Breeding and Sustainable Production
Laugale, Valda, Krasnova, Inta, Strautiņa, Sarmīte, Lepse, Līga, Moročko-Bičevska, Inga
Postmodern Genre-Bending on Mainstream TV: A Case Study of Fargo Season 5
Reichmann, Angelika