Thomas Shadwell’s the Virtuoso as an Assemblage Laboratory. A View from Installation Art
Chaberski, Mateusz
The History of European Photography, Volume III. 1970–2000
Junevičius, Dainius
Dislocation: The Conflict of Photographic and Cinematographic Representations of War in Soviet Lithuania
Narušytė, Agnė
Multiplicity of Cruising: Interactions with the Unknown and Realisation of Cruising for Sex in A. K. Campbell’S the Pride
Narauskaitė, Gintarė
Tension Between Everyday Practice and the New Museology Theory: A Case of the National Gallery of Art in Vilnius
Stoškutė, Neringa
Volume 13 (2017): Issue 1 (December 2017)
Past in the Present
Ioannis Poulios
Writing as Material Practice
Kathryn E. Piquette, Ruth D. Whitehouse
