In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Volume 33 (2025): Issue 4 (December 2025)
Video Games as Literature? Realist Discourse in Red Dead Redemption 2
Razzi, Francesca
Volume 67 (2025): Issue 1 (December 2025)
Experimental Assessment of Durability in 3D Printed Cementitious Materials
Hurtig, Karel, Čítek, David, Holý, Milan, Koteš, Peter, Čítek, Adam
E-Commerce and Service Innovation: Trends and Research Patterns Based on a Bibliometric Review
Roşca, Eugen, Grozea, Ioana-Luciana, Troancă, Dumitru, Apostu, Iulia
Copyright Exceptions and Limitations Applicable to the Press: The Right of Quotation and the Reporting of Current Events
Ciocan, Ioana-Tatiana, Ciocan, Maria-Iuliana
Between Genre, Parody, and Criticism: Gilbert Adair’s The Act of Roger Murgatroyd
Mayer, Felicitas
Turning Tides, Changing Times: Sea in Evil Under the Sun and Journey to the South
Jelínek, Jiří, Jelínková, Jana
Review: Symbiosis as a Key World Building Principle
Lykke, Nina