The Musical Language of Kazimierz Serocki in the Light of the Composer’s Self-Reflection
Lindstedt, Iwona
Witold Szalonek Seen Through His Own Views
Cichy, Daniel
The Strategy of “Controlled Reception” in Witold Lutosławski’s Commentaries on his own Works
Krajewski, Marcin
Editorial
Żerańska-Kominek, Sławomira
Between Emotion and Intellect. On the Musical Language of Andrzej Panufnik (1914–1991)
Bolesławska-Lewandowska, Beata
Paweł Hendrich’s Emergent Sound System
Hendrich, Paweł, Stefański, Krzysztof
The Importance of the Collection of Oskar Kolberg for Contemporary Choreological Studies
Nowak, Tomasz
Volume 11 (2014): Issue 1 (December 2014)
Oskar Kolberg (1814–1890) the Founder of Musical Ethnography in Poland
Dahlig, Piotr
Oskar Kolberg’s Volume on “Łużyce” [Lusatia]
Nowak, Teresa
Oskar Kolberg’s Study of the Musical Culture of the Hutsuls
Smoluch, Łukasz
Kolberg’s opinions on changes in the choice of instruments in 19th century folk music
Przerembski, Zbigniew Jerzy