Music in Nazi-Occupied Poland between 1939 and 1945
Naliwajek-Mazurek, Katarzyna
The New Edition of Chopin’s Correspondence
Helman-Bednarczyk, Zofia
Volume 13 (2016): Issue 1 (December 2016)
Marcin Stańczyk’s Afterimages and Aftersounds – Reflections and Self-Reflections
Tabakiernik, Marta
“I Am a Manufacturer of Impressions.”
Przech, Violetta
The Strategy of “Controlled Reception” in Witold Lutosławski’s Commentaries on his own Works
Krajewski, Marcin
The Musical Language of Kazimierz Serocki in the Light of the Composer’s Self-Reflection
Lindstedt, Iwona
Editorial
Żerańska-Kominek, Sławomira
Between Emotion and Intellect. On the Musical Language of Andrzej Panufnik (1914–1991)
Bolesławska-Lewandowska, Beata
“My” “Musical” “Language” ?
Augustyn, Rafał
Some Remarks on my Composition Technique
Knittel, Krzysztof
Paweł Hendrich’s Emergent Sound System
Hendrich, Paweł, Stefański, Krzysztof