Symbiosis of Modernisation and National Identity in the Legacy of the “Baltars” (Baltic Art) Porcelain Painting Workshop, 1924–1930
Ļaviņa, Dace
Between (in)Visible Influences and (Im)Pure Traditions: Hybrid Character of the Postdramatic in Lithuanian Theatre
Staniškytė, Jurgita
An Inquiry into the Theory of the Matrix: Subjectivity, Gaze, and Desire in Kristina Inčiūraitė’s Video the Meeting (2012)
Romanskaitė, Diana
Bandit: Here to Haunt You! On Why I Became an Émigré Theatre Maker
Florea, Bogdan Mihai
Audience Participation in Contemporary Lithuanian Theatre: A Conflicted Adaptation of the Western Tradition
Kalinauskas, Justinas
Volume 15 (2019): Issue 1 (December 2019)
History as an April Fool’s Joke. Defamiliarising Collective Memory in Rabih Mroué’s So Little Time
Półtorak, Arkadiusz
Can Counter Histories Disturb the Present? Repohistory’s Street Signs Projects, 1992–1999
Donnelly, Mark
The Counter/Actual: Art and Strategies of Anti-Colonial Resistance
Norton, Claire
Other Stories: Experimental Forms of Contemporary Historying at the Crossroads Between Facts and Fictions
Sugiera, Małgorzata
Monograph by Ina Pukelytė Žydų Teatras Tarpukario Lietuvoje (Jewish Theatre in Lithuania During the Interwar Period)
Petrikas, Martynas
Messianism and UFO Sightings as Counterfactual Strategies of Enchantment of the World
Urbanowicz, Piotr