Student Fraternity of the Art Academy of Latvia “Dzintarzeme”: Latvian National Art Conservation Policy in Exile (1958–1987)
Lesničenoka, Agnija
Bandit: Here to Haunt You! On Why I Became an Émigré Theatre Maker
Florea, Bogdan Mihai
Audience Participation in Contemporary Lithuanian Theatre: A Conflicted Adaptation of the Western Tradition
Kalinauskas, Justinas
Volume 15 (2019): Issue 1 (December 2019)
Prevalence of Secession Style Décor Elements in Interiors of Lithuanian Manor Residences
Baratinskienė, Rimantė
Integration of Handheld Guides in Museums: The Case of Lithuania’s Art Museums
Rutkauskaitė, Milda
History as an April Fool’s Joke. Defamiliarising Collective Memory in Rabih Mroué’s So Little Time
Półtorak, Arkadiusz
Messianism and UFO Sightings as Counterfactual Strategies of Enchantment of the World
Urbanowicz, Piotr
In Defence of Lost Causes: Counter(F)Actual Recasting of Biographies in Polish Contemporary Theatre
Wojtyra, Wiktoria
Can Counter Histories Disturb the Present? Repohistory’s Street Signs Projects, 1992–1999
Donnelly, Mark
Counterfactuality as a Polyphonic Assemblage. Entangled Human and Nonhuman Stories of Early Modern Sciences in Neal Stephenson’s The Baroque Cycle
Chaberski, Mateusz
The Counter/Actual: Art and Strategies of Anti-Colonial Resistance
Norton, Claire