In True Crime We Trust: The Artifactuality of John Douglas and Mark Olshaker’s Mindhunter: Inside the FBI Elite Serial Crime Unit (2017) and Netflix’s Mindhunter (2017)
Farmer, Emily Alice
“Just how dangerous is he?” Cormac McCarthy’s Hybridized Crime Fiction
Pronko, Michael
Peter May’s The Lewis Man and Rebecca Wait’s Our Fathers: A Scottish Gothic Reading of Island-Set Crime Fiction
Dvořáková, Šárka
Machining parameters of the patented wood, lightweight stabilised blockboard
Roziņš, Rihards, Spulle, Uldis, Ābele, Andis, Jakovļevs, Vilnis
A living heritage: old and traditional horticultural varieties supporting biodiversity from gene bank to field
Dostatny, Denise F., Bakalarska, Anna, Chojnowski, Mariusz G.
Replaying Adolescence: Temporality and Recurrence in Life is Strange and The Catcher in the Rye
Davies, Gavin
Video Games as Literature? Realist Discourse in Red Dead Redemption 2
Razzi, Francesca
Review: Past and Present in Edith Wharton’s Travel Writing
Glant, Tibor
Volume 31 (2025): Issue 2 (December 2025)
Volume 78 (2025): Issue 4 (December 2025)
An Ecocritical Re-reading of Rousseau’s Julie or the New Heloise
Mozaffari, Neda, Deffo, Marius Kahakeu
Fostering Sustainability Transitions in Rural Areas: A Participatory Futuring Process
Santo, Naomi di, Negro, Simona, Sisto, Roberta