Facing the Foreign: The Aftermath of World War II and Estonian as Otherness in Two Films by Ingmar Bergman
Burman, Christo
War and Women in Jānis Streičs’ Films
Pērkone, Inga
Benefits and Barriers of a Social Marketing Campaign Based on the Example of the Child Helpline
Hiob, Tiina, Soonik, Mart
Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis
Bodily Violence and Resistance in Wojtek Smarzowski’s Rose (Róża, 2011)
Ostrowska, Elżbieta
Volume 6 (2018): Issue 1 (December 2018)
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Keevallik, Liina
Heroes and Social Criticism in the Works of Valeria Anderson
Västrik, Riho
Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances
Lani, Silja
The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany
Roll, Julia, Horst, Sven-Ove
Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball
Teinemaa, Teet