Painful Neutrality: Screening the Extradition of the Balts from Sweden
Kristensen, Lars, Burman, Christo
War and Women in Jānis Streičs’ Films
Pērkone, Inga
Benefits and Barriers of a Social Marketing Campaign Based on the Example of the Child Helpline
Hiob, Tiina, Soonik, Mart
Volume 6 (2018): Issue 1 (December 2018)
Bodily Violence and Resistance in Wojtek Smarzowski’s Rose (Róża, 2011)
Ostrowska, Elżbieta
Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis
Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances
Lani, Silja
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Keevallik, Liina
Heroes and Social Criticism in the Works of Valeria Anderson
Västrik, Riho
Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland
Nanì, Alessandro, Pruulmann-Vengerfeldt, Pille
The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany
Roll, Julia, Horst, Sven-Ove
Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball
Teinemaa, Teet