Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis
Benefits and Barriers of a Social Marketing Campaign Based on the Example of the Child Helpline
Hiob, Tiina, Soonik, Mart
Making Sense of the International Reputation of a Small Film Industry: The Estonian Case
Järvekülg, Madis, Rohn, Ulrike, Ibrus, Indrek
Bodily Violence and Resistance in Wojtek Smarzowski’s Rose (Róża, 2011)
Ostrowska, Elżbieta
Volume 6 (2018): Issue 1 (December 2018)
Representation and Ruination under a Soviet Shadow: Wajda, History, and Chris Marker’s Re-thinking of Tarkovsky’s ‘Zone’
Coates, Paul
Heroes and Social Criticism in the Works of Valeria Anderson
Västrik, Riho
Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland
Nanì, Alessandro, Pruulmann-Vengerfeldt, Pille
The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany
Roll, Julia, Horst, Sven-Ove
Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances
Lani, Silja
Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball
Teinemaa, Teet
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Keevallik, Liina