War and Women in Jānis Streičs’ Films
Pērkone, Inga
Bodily Violence and Resistance in Wojtek Smarzowski’s Rose (Róża, 2011)
Ostrowska, Elżbieta
Benefits and Barriers of a Social Marketing Campaign Based on the Example of the Child Helpline
Hiob, Tiina, Soonik, Mart
Make Love at War? Representing Gender and Memory in the Soviet Estonian Film Dark Windows (Pimedad aknad, Tõnis Kask, 1968)
Jõhvik, Liis
Making Sense of the International Reputation of a Small Film Industry: The Estonian Case
Järvekülg, Madis, Rohn, Ulrike, Ibrus, Indrek
Volume 6 (2018): Issue 1 (December 2018)
Heroes and Social Criticism in the Works of Valeria Anderson
Västrik, Riho
Exploring Cross-Media Audience Practices in Two Cases of Public Service Media in Estonia and Finland
Nanì, Alessandro, Pruulmann-Vengerfeldt, Pille
The Branding Potential for the Digital Transmission of Live-Operas to the Cinema: An International Comparison of Estonia and Germany
Roll, Julia, Horst, Sven-Ove
Preference Dimensions of the Estonian Opera-Consumer: A Comparison of the Audiences at Opera Houses and Mediated Opera Performances
Lani, Silja
Global Multi-Protagonist Trends in a Local Setting: The Case of Frozen Land and Autumn Ball
Teinemaa, Teet
Intellectual and Barbarian Figures in Film: The Bear and the Devil
Keevallik, Liina